Valmiki and Tulsidas, side by side

Two tellings of one story, and the film between them.

Valmiki's Ramayana is the Sanskrit epic in seven kandas, opening with Narada naming a man of every virtue. Tulsidas's Ramcharitmanas is an Awadhi retelling begun in 1574 (samvat 1631, Bal Kand), told by Shiva to Parvati, with Ram as God throughout. Many families in North India know the story through Tulsidas and the television Ramayan, which is why so many well-known scenes turn out to be his.

The two texts

Scene rows link to the full check with the original lines.
TopicValmiki RamayanaRamcharitmanas
LanguageSanskrit verse, mostly in the shloka metre.Awadhi, an eastern form of Hindi, in chaupais broken by dohas.
WhenMost scholars place its composition in the last centuries BCE.Begun in samvat 1631 (1574 CE), the date Tulsidas gives in Bal Kand.
ShapeSeven kandas, about 24,000 shlokas by the traditional count.Seven kands. In the Gita Press edition: Bal 361 dohas, Ayodhya 326, Aranya 46, Kishkindha 30, Sundar 60, Lanka 121, Uttar 130.
Who tells itNarada tells Valmiki the story; Valmiki’s grief at a hunter’s arrow becomes the first shloka (Bala Kanda, sargas 1 and 2).Tellers inside tellers: Shiva to Parvati, Kakbhushundi to Garuda, Yajnavalkya to Bharadvaj, and Tulsidas to his own readers.
RamNarada names him as the man of every virtue. He acts and grieves as a man, and his divinity surfaces in places, as when Brahma praises him after the war.God from the first page. Tulsidas writes as a devotee, and Ram knows the purpose of every turn of the story.
AhalyaUnseen in the hermitage, living on air (Bala Kanda 48 to 49).A body of stone, freed by the dust of Ram’s feet (Bal Kand).
The bowJanaka has the bow brought for Ram; earlier suitors had failed on other days (Bala Kanda 66 to 67).A full assembly where ten thousand kings fail together (Bal Kand).
KaikeyiManthara works on her fear (Ayodhya Kanda 7 to 9).The gods send Saraswati to turn Manthara’s mind (Ayodhya Kand 12).
At the riverGuha’s men bring a boat (Ayodhya Kanda 52).The boatman washes Ram’s feet and takes no fare (Ayodhya Kand 100).
Sita before the abductionSita herself is taken (Aranya Kanda 49).The real Sita waits in the fire and her reflection is taken (Aranya Kand 24).
The golden deerLakshman warns that it is Maricha (Aranya Kanda 43).Ram knows the whole reason and goes gladly (Aranya Kand 27).
Lakshman RekhaNo line. Lakshman leaves Sita with a blessing (Aranya Kanda 45).No line in the scene; Mandodari mentions one later (Lanka Kand).
ShabariOffers forest food she gathered (Aranya Kanda 74).Offers roots and fruit; Ram teaches her nine kinds of devotion (Aranya Kand 34 to 36).
Sita’s exileTold in the Uttara Kanda, which many scholars read as a later layer of the text.The Uttar Kand closes with Ram’s reign and teaching, and Sita’s exile is left out.

What the film draws on

The makers of Ramayana: Part 1 have not published a list of the texts they used, and reports on the credits name screenwriter Shridhar Raghavan for the story. The trailers show Ram breaking Shiva's bow (Esquire India, 31 Jul 2026), and Ram accepting Kaikeyi's wish, the exile, Shurpanakha's encounter with the brothers and Sita's abduction (Esquire India, 30 Jul 2026). Every one of these is in both Valmiki and Tulsidas.

Part 1 reportedly ends near Sita's abduction, with Hanuman arriving only at the end (The Week, 1 Sep 2026). If the film shows Ahalya as a stone, the boatman washing Ram's feet or a drawn Lakshman Rekha, it is following Tulsidas and the tellings that came after him. If it shows Lakshman warning that the deer is Maricha, or Sita taken in person, it is following Valmiki. Both are old and loved; the pages below show the lines.

Check eleven film scenes against both texts

Reading them alongside the Gita

Both texts keep returning to what the Bhagavad Gita teaches outright: do your part, hold the result loosely, and stay steady when things come and go. Bharata ruling from Nandigram without calling the kingdom his is Gita 2.71 in practice, and Jatayu fighting a fight he could not win is Gita 2.47.

Seven mornings, one line each, for what you are going through. Week 1 is free.

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Questions people ask

What is the difference between Valmiki Ramayana and Ramcharitmanas?
Valmiki’s Ramayana is the Sanskrit epic in seven kandas, where Ram acts and grieves as a man. Tulsidas’s Ramcharitmanas, begun in 1574, retells it in Awadhi as a devotee for whom Ram is God from the first page. Tulsidas adds or changes scenes such as Ahalya as stone, the boatman washing Ram’s feet, and Sita waiting in the fire.
Who wrote the Ramcharitmanas, and when?
Tulsidas. In Bal Kand he gives the year he began: samvat 1631, which is 1574 CE.
How many kands are in the Ramcharitmanas?
Seven: Bal, Ayodhya, Aranya, Kishkindha, Sundar, Lanka and Uttar. Valmiki’s Ramayana also has seven kandas, with Yuddha for Lanka and Uttara for Uttar.
Does the Ramcharitmanas tell of Sita’s exile?
No. Tulsidas’s Uttar Kand closes with Ram’s reign, his teaching and the dialogue of Kakbhushundi and Garuda. Sita’s exile is told in Valmiki’s Uttara Kanda.
Which version does the film Ramayana: Part 1 follow?
The makers have not published a list of their sources. From the trailers it shows the bow, Kaikeyi’s demand, the exile, Shurpanakha and Sita’s abduction, which are in both texts. Where it shows scenes such as Kevat or the Lakshman Rekha, it is drawing on Tulsidas and later tellings.

Sources and method

Valmiki lines are from the Sanskrit Valmiki Ramayana; references give the kanda and sarga, which match the Gita Press edition. Shloka numbers differ between printed editions, so each line also carries its Wisdom line id. Tulsidas lines are from the Ramcharitmanas in Awadhi; where a doha number is given it follows the Gita Press, Gorakhpur edition, and where we could not yet confirm the number we give only the kand.

The English is Wisdom's own. For Valmiki we checked our wording against M. N. Dutt's public-domain translation (1891 to 1894). Readings follow traditional commentary. Wisdom translation, edited by Ankur Shukla. Commentary AI-drafted, human-reviewed.

What we say about the film comes only from its published trailers and press reports, linked where we use them. We have not seen the film.